From 5a6fef0b8e9fafd1bc354fb1ce387582756bf36f Mon Sep 17 00:00:00 2001 From: sijanec Date: Thu, 12 Nov 2020 20:36:45 +0100 Subject: popravek po oddaji v pregled --- oiv/osnutek/dokument.out | 33 ++++++++++++++++++--------------- 1 file changed, 18 insertions(+), 15 deletions(-) (limited to 'oiv/osnutek/dokument.out') diff --git a/oiv/osnutek/dokument.out b/oiv/osnutek/dokument.out index 7b953b6..adcfe96 100644 --- a/oiv/osnutek/dokument.out +++ b/oiv/osnutek/dokument.out @@ -1,18 +1,21 @@ \BOOKMARK [1][-]{section.1}{Uvod}{}% 1 -\BOOKMARK [1][-]{section.2}{Teoreticni del}{}% 2 -\BOOKMARK [2][-]{subsection.2.1}{Pojem celostna umetnina}{section.2}% 3 -\BOOKMARK [3][-]{subsubsection.2.1.1}{V slikarstvu}{subsection.2.1}% 4 -\BOOKMARK [3][-]{subsubsection.2.1.2}{V arhitekturi}{subsection.2.1}% 5 -\BOOKMARK [3][-]{subsubsection.2.1.3}{Barok}{subsection.2.1}% 6 -\BOOKMARK [3][-]{subsubsection.2.1.4}{Pojav celostne umetnine po svetu}{subsection.2.1}% 7 -\BOOKMARK [2][-]{subsection.2.2}{O slovenski zgradbi parlamenta in o njenem arhitektu}{section.2}% 8 -\BOOKMARK [3][-]{subsubsection.2.2.1}{Arhitekt}{subsection.2.2}% 9 -\BOOKMARK [3][-]{subsubsection.2.2.2}{Zgodovina}{subsection.2.2}% 10 -\BOOKMARK [1][-]{section.3}{Prakticni del}{}% 11 -\BOOKMARK [2][-]{subsection.3.1}{Ogled dr\236avnega zbora}{section.3}% 12 -\BOOKMARK [2][-]{subsection.3.2}{Anketa o umetni\235kih stali\235cih populacije}{section.3}% 13 -\BOOKMARK [3][-]{subsubsection.3.2.1}{Hipoteze}{subsection.3.2}% 14 -\BOOKMARK [3][-]{subsubsection.3.2.2}{Priprava anketnega formularja}{subsection.3.2}% 15 -\BOOKMARK [3][-]{subsubsection.3.2.3}{Analiza pridobljenih rezultatov}{subsection.3.2}% 16 +\BOOKMARK [2][-]{subsection.1.1}{Hipoteze}{section.1}% 2 +\BOOKMARK [1][-]{section.2}{Teoreticni del}{}% 3 +\BOOKMARK [2][-]{subsection.2.1}{Pojem celostna umetnina}{section.2}% 4 +\BOOKMARK [3][-]{subsubsection.2.1.1}{V slikarstvu}{subsection.2.1}% 5 +\BOOKMARK [3][-]{subsubsection.2.1.2}{V arhitekturi}{subsection.2.1}% 6 +\BOOKMARK [3][-]{subsubsection.2.1.3}{Barok}{subsection.2.1}% 7 +\BOOKMARK [3][-]{subsubsection.2.1.4}{Pojav celostne umetnine po svetu}{subsection.2.1}% 8 +\BOOKMARK [2][-]{subsection.2.2}{O slovenski zgradbi parlamenta in o njenem arhitektu}{section.2}% 9 +\BOOKMARK [3][-]{subsubsection.2.2.1}{Arhitekt}{subsection.2.2}% 10 +\BOOKMARK [3][-]{subsubsection.2.2.2}{Zgodovina}{subsection.2.2}% 11 +\BOOKMARK [1][-]{section.3}{Prakticni del}{}% 12 +\BOOKMARK [2][-]{subsection.3.1}{Ogled dr\236avnega zbora}{section.3}% 13 +\BOOKMARK [2][-]{subsection.3.2}{Anketa o umetni\235kih stali\235cih populacije}{section.3}% 14 +\BOOKMARK [3][-]{subsubsection.3.2.1}{Priprava anketnega formularja}{subsection.3.2}% 15 +\BOOKMARK [3][-]{subsubsection.3.2.2}{Analiza pridobljenih rezultatov}{subsection.3.2}% 16 \BOOKMARK [1][-]{section.4}{Zakljucek}{}% 17 \BOOKMARK [1][-]{section.5}{Viri in literatura}{}% 18 +\BOOKMARK [1][-]{section.6}{Priloge}{}% 19 +\BOOKMARK [2][-]{subsection.6.1}{Priloga 1 \204 odgovori na anketni vpra\235alnik}{section.6}% 20 +\BOOKMARK [2][-]{subsection.6.2}{Priloga 2 \204 anketni vpra\235alnik}{section.6}% 21 -- cgit v1.2.3